Tuesday, October 2, 2007

Ha-Yang Kim - Ama


from Tzadik website:

Born in Seoul and now a resident of Brooklyn, Ha-Yang Kim is a cellist, composer and improviser who has developed a unique language of extended string techniques and electronics.
Drawing upon influences as far ranging as Balinese and Karnatic traditions, jazz, rock, western classical music and downtown experimentation, she has created an original music of imagination and passion.
Her first CD features a startling solo piece, two pieces for her long running duo project with percussionist Nathan Davis (Odd Appetite) and a colorful ensemble piece for six players.

Label: Tzadik
Cat. #: 8037
Format: CD
Release date: 2007

Tracklisting:
01 - Samtak (15:51)
02 - Lens (14:39)
03 - Metamatter (13:10)
04 - Oon (12:11)

Links:
Ha-Yang Kim
Tzadik

Artists: Michel Chion



Michel Chion is a french composer, filmmaker, critic, born in 1947 in Creil, France.
After studying literature and music he began to work for the ORTF (French Radio and Television Organisation) Service de La recherche as assistant to Pierre Schaeffer in 1970.
He was a member of the Groupe de Recherches Musicales (GRM) between 1971 - 1976. His compositional pieces elaborate on schaeffarian theories and methodologies which Schaeffer referred to as musique concrète.

He also works as a theoretician in a new area: the systematic study of audio-visual relationships, which he teaches at several centres (notably at Université de Paris III where he is an Associate Professor), and film schools (ESEC, Paris; DAVI, Lausanne) which has developed in a series of five books.
Besides the twenty written publications translated into a dozen languages, he has also written on Pierre Henry, François Bayle, Charlie Chaplin, Jacques Tati, David Lynch, diverse subjects on music and film; he has published in French and international journals, and has contributed to numerous dictionaries and encyclopedias.
He has also commenced work in film direction and production with the short film Éponine (Prix Jean-Vigo, prizes in Clermont-Ferrand, and in Montréal). In 1995, he has begun an audio-visual piece entitled Messe de terre at the CICV Pierre Schaeffer in Montbéliard (France).

After having dedicated his Guide des objets sonores to the ideas of Schaeffer, he continued with Le promeneur écoutant, essais d’acoulogie, (1993), and finally with Musique, médias, technologies, a theory of sound based on language.
In 1991 he published, with the support of Jérôme Noetinger, L’art des sons fixés in which he proposes, in order to properly designate this music, the return to the term ‘musique concrète’ in its initial non-causal sense. His redefinition insists upon the effects particular to the fixation of sound, a term which he proposes in place of recording.

______________________________________
Discography:
  • Requiem (1978, INA-GRM, AM 689.05)
  • La Ronde (1983, INA-GRM, 9114 CH)
  • La Tentation De Saint Antoine / La Ronde (1991, INA-GRM, INA_C 2002/03)
  • Credo mambo (1992, Metamkine-Cinéma pour l'oreille, MKCD 004)
  • Requiem (1993, Empreintes DIGITALes, IMED 9312)
  • Préludes A La Vie (1995, Empreintes DIGITALes, IMED 9523)
  • Gloria (1995, Metamkine-Cinéma pour l'oreille, MKCD 015)
  • On N'arrête Pas Le Regret (1996, INA-GRM, INA_E 5005)
  • L'Opéra Concret: Musiques Concrètes 1971-1997 (1998, INA-GRM, MCE 01)
  • Dix-Sept Minutes (2002, Metamkine-Cinéma pour l'oreille, MKCD 032)
  • Les 120 Jours (2004, Fringes, Fringes Archive 03) (with Lionel Marchetti and Jérôme Noetinger)
  • Tu (2006, Brocoli, Brocoli 002)
  • Requiem (2007, Sub Rosa, SRV251)
  • Diktat (2010, Nuun Records / Musique Concrète, nuun 001)
  • La Vie En Prose - Une Symphonie Concrète (2011, Brocoli, Brocoli 009)
  • La Tentation De Saint Antoine (2011, Nuun Records)
  • Musiques Concrètes 1970-71 (2014, Brocoli, Brocoli 016)
  • Musiques Concrètes 1988-91 (2016, Brocoli, Brocoli 019)
______________________________________

Tracks appear on:
  • VV.AA. - Musique Concrète: Elektroakustische Musik (1974, Klett Verlag, 92422) track: Requiem
  • VV.AA. - Concert Imaginaire GRM (1985, INA-GRM) track: La Ronde... L'été... Jardin Jadis
  • VV.AA. - Klangwelten (1997, WERGO, WER 30252) track: Requiem: Sanctus
  • VV.AA. - eXcitations (2000, Empreintes DIGITALes, IMED 0050) track: Requiem: Dies Iræ
  • VV.AA. - Licences n° 1 (2000, Licences, L1) track: Sonate En Trois Mouvements
  • VV.AA. - 50 Ans De Musique Electroacoustique Au Groupe De Recherches (2001, Fondazione Teatro Massimo, FTM 002) tracks: La Ronde, Requiem
  • VV.AA. - Writing Aloud: The Sonics Of Language (2001, Errant Bodies Press / Ground Fault Recordings, ISBN 0-9655570-3-0 / --) track: Gloria
  • VV.AA. - L'Espace Du Son 2002 (2002, Musiques & Recherches, --) track: Credo Mambo
  • VV.AA. - An Anthology Of Noise & Electronic Music / Third A-Chronology 1952-2004 (2004, Sub Rosa, SR220) track: Requiem: Dies Iræ
  • One Minute For The Stars (2011, SEM Label, SEM 011) track: omftStars
______________________________________
Collaborations:
  • Michèle Bokanowski - Tabou (1992, Metamkine-Cinéma pour l'oreille, MKCD 003) (engineering)
  • Ghédalia Tazartès - Diasporas/Tazartès (2004, Alga Marghen, T 7TES.053) (compositor of ‘’Quasimodo Tango’’)
  • Lionel Marchetti - Red Dust (2005, Crouton, crou029) (voice on “Visiones Nocturnae” and “Décompte”)
______________________________________

Bibliography:
  • Les Musiques Électroacoustiques (1976, Ina/Edisud, Aix-En-Provence) (co-authored by Guy Reibel)
  • Pierre Henry (1980, Fayard/Sacem, Paris)
  • La Musique Électroacoustique (1982, P.U.F. "Que Sais-Je", Paris)
  • La Voix Au Cinéma (1982, Editions De L'etoile/Cahiers Du Cinéma, "Essais", Paris)
  • Guide Des Objets Sonores (1983, Ina/Buchet-Chastel, "Bibliothèque De Recherche Musicale", Paris)
  • Le Son Au Cinéma (1985, Editions De L'etoile/Cahiers Du Cinéma, "Essais", Paris)
  • Écrire Un Scénario (1986, Cahiers Du Cinéma/Ina, Paris)
  • Jacques Tati (1987, Cahiers Du Cinéma, "Auteurs", Paris)
  • La Toile Trouée, Ou La Parole Au Cinema (1988, Cahiers Du Cinéma, Essais", Paris)
  • Les Lumières De La Ville, De Charlie Chaplin (1989, Fernand Nathan, "Synopsis", Paris)
  • Le Cinema Et Ses Métiers (1990, Bordas, Paris)
  • L'audio-Vision (Son Et Image Au Cinema) (1991, Nathan-Université, "Cinéma Et Image", Paris)
  • L'art Des Sons Fixés, Ou La Musique Concrètement (1991, Metamkine/Nota Bene/Sono-Concept)
  • David Lynch (1992/1998/2002, Cahiers Du Cinéma, "Auteurs", Paris)
  • Le Promeneur Écoutant (Essais D'acoulogie) (1993, Plume/Sacem, Paris)
  • Le Poème Symphonique Et La Musique À Programme (1993, Fayard, "Les Chemins De La Musique", Paris)
  • La Symphonie À L'epoque Romantique, De Beethoven À Mahler (1994, Fayard, "Les Chemins De La Musique", Paris)
  • Musiques, Médias, Technologie (1994, Flammarion, "Dominos", Paris)
  • La Musique Au Cinéma (1995, Fayard, "Les Chemins De La Musique", Paris)
  • Le Son (1998, Nathan-Université, "Cinéma Et Image", Paris)
  • Un'odissea Del Cinema: Il 2001 Di Kubrick (2000, Lindau, “Saggi”, Turin)
  • Kubrick's Cinema Odyssey (2001, Bfi Publishing, London) (trans. by Claudia Gorbman)
  • Eyes Wide Shut (2002, Bfi Publishing, "Modern Classics", London) (trans. by Trista Selous) Technique Et Création Au Cinéma (2002, Éditions De L'esec, Paris)
  • La Comédie Musicale (2003, Cahiers Du Cinéma, "Les Petits Cahiers, Scérén-Cndp", Paris)
  • Un Art Sonore, Le Cinéma (2003, Cahiers Du Cinéma, "Essais", Paris)
  • The Thin Red Line (2004, Bfi Publishing, "Modern Classics", London) (trans. by Trista Selous)
  • Stanley Kubrick, L'humain, Ni Plus Ni Moins (2005, Cahiers Du Cinéma, "Auteurs", Paris)
  • La Ligne Rouge (2005, Ed. De La Transparence, Paris) (french edition of "The Thin Red Line”)
______________________________________
Links:
Michel Chion

Monday, October 1, 2007

Michael Prime - Borneo


"in february 2005 I visited the state of Sabah, north Borneo, with the object of recording bioelectrical signals from some of the unique flora and fauna there.
The rich lowland diptercarp forests are rapidly giving way to Oil Palm Plantations, but there are still some pristine forest areas where ancient primary forest trees can be seen, their massive trunks rising straight up for over a hundred feet.
Out of the steamy lowlands, the massive bulk of Mt.Kinabalu rises to a height of 14,000 ft, providing a refuge for many endemic species that prefer a cooler climate.
Here, northern hemisphere trees like evergreen Oaks and Chestnuts mingle with southern hemisphere conifers like Podocarpus Agathis and Dacrycarpus.

These montane forests provide shelter for a variety of tree ferns, rattan palms and climbing Lycopodiums, Higher still is a cloud-forest of twisted Leptospermum and Dacrydium trees, whose nearest relatives are found in Australia and New Zealand.
The highest slopes of the mountain are mostly bare rock, scoured clean by the glaciers found here until just 3000 years ago.

The Rafflesia are a strange genus of parasitic plants, famous for producing the largest flowers in the world. They are root parasites, completely invisible above ground until one of their enormous flower buds breaks the surface.
Their life cycle is poorly understood and ther seem to require a certain amount of disturbance. Since a nature reserve was declared to protect their most well known locaton at Poring, they have ceased to flower within its boundaries!
We were able to find one flowering on a farm nearby, and the owner was kind enough to let me attach electrodes to one of the flowers.
The flowers smell of rotting meat, and attract numerous files.

Tongkat Ali (Eurycoma longifolia) is an indigenous tree of Borneo, whose powdered bark enjoys a reputation as the local equivalent of Viagra!
It is also mixed with ginseng and coffee to make a very refreshing hot drink.
I was pleased to find a tree that had been included in the planting scheme of a gold course popular with local businessmen.

The genus Nepenthes is notorious for containing the world's largest carnivorous plants. Some of them have pitchers large enough to drown a squirrel, and they can climb high into trees in search of prey.
Finding a specimen to record involved climbing My. Kinabalu, and I soon found that my portable recording equipment began to seem much heavier than it did at sea level!

Finally, I was able to record specimen of Nepenthes x kinabaluensis growing in ultramafic scrub not far from the summit trail, as other exhausted climbers trudged past to use the facility at a small rest stop.

All Living organism produce a faint electrical field, which constantly fluctuates according to the state of the organism.
In Plants, these fluctuating voltage potentials can be seen to reflect a number of natural cycles, as well as transient events like water stress, attacks by predators etc.
The bioelectrical field varies not only with periods of light and dark, but also with cycles of the moon, magnetic storms and sunspots.
By connecting plants to a bioactivity translator, we can listen in to their life processes, and even hear them reacting to transient events.
Plants are able to react instantly to charges in their environment.
Do we consider this to be a form of consciousness?

The bioelectrical sounds I recorded in the field are used mostly in manipulated and intermodulated form in the compositions here, but always retaining their natural rhythms.
In the field, choices have to be made about the parameters the translator is set to, which will affect frequency range and other aspects of the sound.
Nevertheless, the rhythms which emerge are very much a reflection of the life processes of the plant.
A dead plant, or a fruit or vegetable which has been picked, produce only a static tone.

Two Ultrasonic transducers with heterodyne frequency conversion were used to record the ultrasonic sounds of bats and insects.
These recordings have not been manipulated, edited or latered, the listener can follow the movements of the bats in real time as thery locate insects and zoom in, speeding up their echolocation sounds to obtain better resolution in the ''sound picture'' they are receivin of their prey.

Unless mentioned otherwise, all acoustic recording were made on the move, using a pair of binaural microphone, as well as making bioelectrical recordings of plants, and ultrasonic recordings of bats and insects, I also set up small installations, ''stalking'' with the binaural microphones.

''Banana Rattan'' contains a live recording of an installation that featured the amplified bioelectrical signals of a Rattan Palm, and an as yet undescribed species of Banana, recorded beside a mountain stream.

The installation featured on ''Hungry Ghosts'' used voices from a local shortwave station, undergoing live processing on a laptop. I trecked into the coastal forest just before midnight to record this, and on the way there, suddenly found my feet sinking rapidly into a clammy ooze. The rising tide had turned what had been a dry creekbed into quicksand.
I Managed to sit back onto dry land, and then rashly dipped my foot into the quicksand to retrieve the sandal. Though only a couple of seconds had passed, there was no trace of it, as if it had been pulled down by unseen hands. I took off the other sandal, and proceeded on bare feet”.
(Micheal Prime, booklet, notes)

Label: Mycophile Records
Cat. #: SPOR 10, SPOR 11, basm 01
Format: 2xCD (+ 3” CDr in the ltd. edition)
Release date: 2007

Tracklisting:
1-01 - Year Of The Cock (9:55)
1-02 - Tongkat Ali (8:27)
1-03 - Rafflesia (14:04)
1-04 - Insect Strategies (12:19)
1-05 - Plasmodium (11:51)
2-01 - Fish Nibble (3:36)
2-02 - Nepenthes (17:32)
2-03 - Montane Forest (6:11)
2-04 - Banana Rattan (8:30)
2-05 - Rogon Walking (5:02)
2-06 - Hungry Ghosts (23:11)
3-01 - Insectivorous Bats*

* (3” CDr in the ltd. edition)

Credits:
1-01 - Year of the Cock
  • Index pt.1: Sounds of construction echo through primary forest near Sepilok.
  • Index pt.2: Kota Kinabalu town, Chinese New Year celebration.
  • Index pt.3: Indoor market, Kota Kinabalu.
  • Index pt.4: Poring Hot Springs.
1-02 - Tongkat Ali
  • Composition using bioelectrical signals and background sounds from a specimen of Tongkat Ali (Eurycoma longifolia) growing on a golf course, Karambunai Peninsula.
1-03 - Rafflesia
  • Composition Using bioelectrical signals and backgroundsounds from a flower of Rafflesia pricei, Poring.
1-04 - Insect Strategies
  • Index pt.1: Unknown insect, montane forest, Mt. Kinabalu (ultrasonic recording).
  • Index pt.2: ''Car alarm'' insect, montane forest, Mt Kinabalu.
  • Index pt.3: Composition using nocturnal insect sounds and bioelectrical signals of Rafflesia pricei.
1-05 - Plasmodium
  • Composition using bat sounds and bioelectrical signals from Rafflesia pricei and Eurycoma longifolia.
2-01 - Fish Nibble
  • Fish nibbling algae (and hydrophone), Pond on Karambunai peninsula (Hydrophone recording).
2-02 - Nepenthes
  • Composition using bioelectrical signals and background sounds from a specimen of Nepenthes x kinbaluensis, ultramafic scrub near summit trail, Mt.Kinabalu.
2-03 - Montane Forest
  • An afternoon recording from montane forest, Mt. Kinabalu. Cicadas compete for mates white cooling breezes disturb the tree canopy.
2-04 - Banana Rattan
  • Index pt.1: Installation using bioelectrical signals from a Rattan palm and Musa species, montane forest Mt. Kinabalu.
  • Index pt.2: Water tank, Mt. Kinabalu.
  • Index pt.3: Composition using sounds from the above installation.
2-05 - Rogon Walking
  • Composition using sounds from a nocturnal walk on Mt.Kinabalu, and bioelectrical signals from Eurycina longifolia.
2-06 - Hungry Ghosts
  • Index pt.1: Installation using radio and laptop, coastal forest, Karambunai peninsula.
  • Index pt.2: Oil palms in the wind, Karambunai peninsula (contact microphone recording).
  • Index pt.3: Bats hunting over the beach, Karambunai peninsula (ultrasonic recording).
Links:
Michael Prime

Albert Ayler Quartet - The Hilversum Session


A legendary recording in free jazz. Recorded in 1964 in a Netherlands radio studio, unissued until 1980.
This is the 2007 remastered version, with new artwork, and liners by Russ Musto.

Personnel:
Albert Ayler - tenor saxophone
Don Cherry - cornet
Gary Peacock - bass guitar
Sunny Murray - drums

Label: ESP-Disk
Cat. #: esp4035
Format: CD
Release date: 2007

Tracklisting:
01 - Angels (06:54)
02 - C.A.C. (05:00)
03 - Ghosts (07:30)
04 - Infant Happiness (06:06)
05 - Spirits (09:10)
06 - No Name (05:42)

Links:
Albert Ayler
ESP-Disk

Lasse Marhaug - Into The Pandemonium


A commissioned sound installation for the Hole In The Sky festival in Bergen, Norway August 21-25th 2007.
The installation was made using six channels. This is an edit/simplified stereo mix made for Touch Radio.
"Into The Pandemonium" is a de-composition/ celebration of 25 years of extreme metal music. Fragments of classic moments in death/thrash/black metal music have been mangled, disfigured and reworked into a festering pulp of distortion, doom and noise.

Label: Touch
Cat. #: TouchRadio 26
Format: File, Mp3
Release date: 2007

Tracklisting:
01 - Into The Pandemonium (31:22)

(pwd: interzona23)

Links:
Lasse Marhaug
TouchRadio

Chris Watson - The Sound Of Islay: A Report From The Hebrides

Photo by Chris Watson

Saligo Bay sits in the north west corner of the Island of Islay in the Scottish Hebrides. Atlantic waves break on the shore and westerly winds drive straight up the beach and create mosaic patterns of sound in the low-lying vegetation.
'The Sound of Islay' then waits for the winds to die and the sun to dip into the ocean before investigating the nocturnal sounds on the wetlands of Loch Gruinart.

Label: Touch
Cat. #: TouchRadio 25
Format: File, Mp3
Release date: 2007

Tracklisting:
01 - The Sound Of Islay: A Report From The Hebrides (24:20)

(pwd: interzona23)

Links:
Chris Watson
TouchRadio

Ghédalia Tazartès - Jeanne


Recreating the idioms of some ethnic musics, Ghédalia Tazartès invents himself an imaginary world which seems to be inspired by differents forgotten traditions.
Musician, genious handyman, singer to the improbable accents, Ghédalia Tazartès pours a flood of sounds and atmospheres, voices and strange melodies, weaving the screen of an hallucinatory soundtrack which accounts for the universe of the show “Jeanne” (Co Pardès rimonim) for which it carried out the majority of those compositions.
Artist out of time, Ghédalia Tazartès shared incredible collaborations in particular with Alain Gigout, Michel Chion, Philippe Adrien or François Verret.
Collection supplements of its work discographic available at Metamkine (www.metamkine.com).

Label: Vand'Oeuvre
Cat. #: vdo 0732
Format: CD
Release date: 2007

Tracklisting:
01 - Premier Mouvement (1:48)
02 - Deuxième Mouvement (2:27)
03 - Fol (2:43)
04 - Les Femelles (2:22)
05 - Troisième Mouvement (5:15)
06 - TA (5:12)
07 - Mother (4:20)
08a - Lamento (3:25)
08b - Jeanne (2:22)

Links:
Vand'Oeuvre